Herod's Law

 

 

The Cast

JUAN VARGAS . . . . Damián Alcázar
RAN AZADVAR LOPEZ . . Pedro Armendáriz Jr. ....
ROSA . . . Delia Casanova

 

 

directed by Luis Estrada.  120 minutes.  1999.

   

 

The Story

Juan Vargas is a simple man with unswerving loyalty to the PRI, and that is why he is chosen to be the mayor of San Pedro. There is an election coming up, three mayors have been killed in the last five years, and Lopez, the regional party leader, hopes Vargas can keep the lid on and not cause much trouble. As Juan and his wife, Gloria, drive to San Pedro in the dusty Packard supplied by the party, they dream of his assignment to bring "Modernity, Peace and Progress" to the little town, little suspecting how little it is.

"Where is San Pedro?" Juan asks a man. "This is it," the man replies. "I am Pek, your secretary." Vargas and his wife look around in dismay at the pathetic hamlet he is to lead. Pek will be invaluable, because he speaks the Indian language, and few of the residents speak Spanish. Vargas quickly meets other important local figures, including the doctor, the priest and Dona Lupe, the madam of the local brothel.

All of the trouble in San Pedro comes from the brothel, the doctor bitterly tells Vargas. It is responsible for disease, corruption, murder. The padre is more forgiving: "San Pedro lacks many things, and Dona Lupe performs an important social function." The priest advises Vargas to accept Dona Lupe's bribes so that village life will continue as before. This is a mercenary padre: in the confessional, he charges one peso per sin and pointedly informs Vargas he would like a car: "A Ford ... or perhaps a Packard, like yours ..."

Herod's Law uses Vargas and his backwater town to form a parable about political corruption in Mexico. It is a savage attack on the Institutional Revolutionary Party (PRI), which ruled Mexico from the days of revolution until the recent rise of President Vicente Fox and his National Action Party. In the figure of Juan Vargas, it sees a humble working-class man with high ideals who caves in to the temptations of high office, even in so low a town, and is soon demanding bribes, making himself mayor for life and paying free visits to Dona Lupe's girls. He justifies his actions with a motto learned from his party leader, who quotes Herod's Law, which is (somewhat reworded), "Get them or they'll get you." His wife, who is not blind to Juan's visits to the brothel, finds consolation from a visiting American. The gringo's function in the parable is not difficult to decipher: He repairs Juan's car, demands an exorbitant payment, moves into Juan's house, and has an affair with his wife. I think (I am pretty sure, actually) this is intended to suggest the helpful role of Americans in Mexico.

And yet there are a couple of scenes that suggest that perhaps the film is not a complete indictment of the PRI. One involves a dinner in the midst of all the chaos, at which the principal characters sit down to discuss their nation. The American is asked his opinion and refers to Mexico as a "dictatorship," which makes the others--except the doctor--laugh. The doctor observes: "If there were true democracy in Mexico, the president would be a priest."



ASSIGNMENT

Consulting your textbook, notes, the article on the controversy, and the map outlining levels of corruption in Mexico, discuss and give your opinion on the accuracy of the film and it's commentary as it concerns the election for President of Mexico this July.

Write out your answers on the AP Comparative Government Blackboard Discussion Board no later than midnight Tuesday, March 21.

Corruption in Mexico AP Comparative Government Mexico Unit